Description:

Dylan Bob



BLOWIN' IN THE WIND -  Bob Dylan Signed LP "The FreeWheelin'"

 

The Freewheelin’ Bob Dylan , Year: 1963. Boldly Signed by Bob Dylan in black felt tip on the front of the album cover, lower left corner. Considered one of the top two Dylan Albums of all time, and considered Dylan's breakthrough album! Freewheelin’ was only Dylan's second album coming out at the very beginning of his career. Even though he’s gone on to write literally thousands of great songs since then, nothing has ever surpassed the sincerity and passion the 21- year-old musician poured into every track on the record. With songs like “Blowin’ in the Wind,” “Girl From North Country,” “Masters of War,” and “Don’t Think Twice, It’s All Right” that are still in Dylan’s set list nearly half a century later, Freewheelin is an album whose music will outlive everyone who’s reading this.

 

Fine condition album cover, 12.5" x 12.5".  Boldly signed by Bob Dylan in heavy black felt tip along the bottom lower left corner in full signature "Bob Dylan". Accompanied by TWO Letters of Authenticity, one by "Roger Epperson Authentication Ltd", "Real". Roger Epperson, Music industry autograph authenticator, collector and expert has an extensive background as a full-time dealer in the collectibles industry. Roger is the only dealer in the world that deals exclusively in music related autographed collectibles. His narrowed focus has established him as a valued and respected collector and authenticator for all genres of contemporary music. With another Letter of Authenticity by "PSA/DNA.

 

 

Freewheelin’, with one of the decade's signature metaphorical album cover images depicts Dylan walking arm-in-arm with Suze Rotolo. As it would turn out this album cover image would even appear as an iconic image in later Hollywood movies representing the ideal loving, happy, warm, and innocent relationship between two people (this reference was even made in the movie "Vanilla Sky" with Tom Cruise, Penelope Cruz and Cameron Diaz). But beyond skin deep, this iconic album has what is considered the greatest protest song of all time, A Hard Rain's A-Gonna Fall, and one the greatest eloquent songs of all time, 'Blowin' In The Wind  (which essentially not only made Dylan an overnight sensation, but also became the unofficial anthem of the civil rights movement).  A Hard Rain, the greatest protest song by the greatest protest songwriter of his time is a seven-minute epic that warns against a coming apocalypse while cataloging horrific visions — gun-toting children, a tree dripping blood — with the wide-eyed fervor of John the Revelator. "Every line in it is actually the start of a whole song," Dylan said at that time. "But when I wrote it, I thought I wouldn't have enough time alive to write all those songs, so I put all I could into this one." But it would be "Blowin in the Wind", that would propel Dylan's career and make him a star.

 

Some say Bob Dylan's work will never be done. One day, the artist’s body will fail, but his work will live on. Held aloft by “mourning tongues” and woven into the very text of society itself, Dylan’s words and melodies will never cease to expand, reorder, restructure, and shift in estimation and purpose. Dylan is perhaps the most restless of all artists. At every stage of his career, he transcended genre, redefined his medium, and grew bored, oftentimes disappearing from the public eye before emerging as someone else entirely (but always with those knowing, mischievous, and gleaming eyes). Tracking his growth over the course of more than 50 years and 37 albums (not to mention the endless bootlegs, live recordings, and reissues), we see an artist who cannot be satisfied. Endlessly self-critical, he slipped in and out of personae with the ease of a well-worn leather jacket. From Folk Savior, to Rock Agitator, to Country Buffoon, to Rock God, to Evangelical Christian, to Born-Again Jew, to Grand Statesman, Dylan has never stood still for long, and even in his 70s, he shows no sign of slowing down.

 

Dylan’s songs are an ever-shifting tapestry of incalculable depth. His references range wildly, from the literary to the political to the personal, but remain most deeply in conversation with themselves. Each new song sets off a reverse domino effect, reaching back into the past and redefining, whether subtly or overtly, what we thought we knew. Who can not relate to his iconic song, Blowin In The Wind:

 

 

"How many roads must a man walk down

Before you call him a man?

Yes, ’n’ how many seas must a white dove sail

Before she sleeps in the sand?

Yes, ’n’ how many times must the cannonballs fly

Before they’re forever banned?

The answer, my friend, is blowin’ in the wind

The answer is blowin’ in the wind

 

How many years can a mountain exist

Before it’s washed to the sea?

Yes, ’n’ how many years can some people exist

Before they’re allowed to be free?

Yes, ’n’ how many times can a man turn his head

Pretending he just doesn’t see?

The answer, my friend, is blowin’ in the wind

The answer is blowin’ in the wind

 

How many times must a man look up

Before he can see the sky?

Yes, ’n’ how many ears must one man have

Before he can hear people cry?

Yes, ’n’ how many deaths will it take till he knows

That too many people have died?

The answer, my friend, is blowin’ in the wind

The answer is blowin’ in the wind"



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